Catalog page · inferred: 2002 (tour opened Sept 2002; latest works listed dated 2001)
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Photographed by Matt Sesow from his press packets, October 18, 2026; text transcribed from the photos by Claude.
often, this art is described as being the work of unschooled artists who sometimes come to art late in life or after a disastrous personal experience and who almost always make art, at least in the beginning, to satisfy an urgent inner need. There is another important commonality, however, which Revelations and Reflections demonstrates. These artists share a mutual approach to making art in the non-naturalistic language they employ. In other words, their art does not look realistic. Instead, like many trained artists throughout history, these artists often employ what has been called a conceptual approach, wherein they aim to represent not what they see but what they know or feel. Intriguingly, this is an approach self-taught artists share with the makers of medieval art.
Like artists of the Middle Ages, many self-taught artists are grounded in the teachings of Christianity and depict imagery drawn from the Bible, especially the Book of Revelation. Inspired by biblical prophecies, many self-taught artists imagine that at the end of time a cosmic battle will ensue between the forces of Good and Evil.
Their art abounds with depictions of the Antichrist, Christ's Second Coming, hell and its demonic occupants, and paradise. Unlike medieval artists, however, many self-taught artists make reference to everyday life, condemning what they believe to be the vices of contemporary society and exploring the demons that plague our inner psyches. In this way, they share their meditations on the Bible's prophecies and their contemplation of society's moral, spiritual, and psychological afflictions with the viewers of Revelations and Reflections.
Carol Crown, Ph.D.
Associate Professor of Art
The University of Memphis
Co-Curators: Robert Cugno and Robert Logan
ExhibitsUSA
ExhibitsUSA is generously supported by the John S. and James L. Knight Foundation, Houston Endowment Inc., the Louis and Elizabeth Flarsheim Charitable Foundation, Douglas County Bank/Ross and Marianna Beach, Phillips Petroleum Company, the William Randolph Hearst Foundation, the James Irvine Foundation, The Don and Sybil Harrington Foundation, the H&R Block Foundation, Sprint, the William T. Kemper Foundation, the Samuel H. Kress Foundation, DST Systems, Inc., the Cooper Foundation, Maureen and Robert Decherd, the Helen Jones Foundation, the National Endowment for the Arts, and the state arts agencies of Arkansas, Illinois, Kansas, Missouri, Nebraska, Oklahoma and Texas.
[Captions]
Mose Tolliver
Self-Portrait
1988
House paint on panel
24 1/16 x 17 1/2 x 3/16 inches
Courtesy Marcia Weber Art Objects, Inc.
Montgomery, Alabama
Roger Rice
War in Heaven
1999
Colored pencil on paper
13 7/8 x 10 7/8 inches
Courtesy Robert Cargo Folk Art Gallery
Tuscaloosa, Alabama
[Same essay end and ExhibitsUSA support text as p191, plus captions:]
Annie Tolliver
My Precious Mother Going to Heaven
1991
Acrylic on plywood
24 x 24 x 3/8 inches
Courtesy Marcia Weber Art Objects, Inc.
Montgomery, Alabama
Myrtice West
White Throne Judgment
C. 1983
Oil on wood
27 1/4 x 39 1/4 inches
Courtesy Rollin and Tamara Riggs
Memphis, Tennessee
Checklist
Dimensions are in inches; height precedes width precedes depth.
Leroy Almon, Sr.
Crucifixion
1987
Wall carving: acrylic on wood
24 1/16 x 14 5/16 x 15/16
Courtesy Robert Cargo Folk Art Gallery
Tuscaloosa, Alabama
Hope Atkinson
One Day at a Time
2000
House paint on board
23 13/16 x 16 x 1/8
Courtesy Marcia Weber Art Objects, Inc.
Montgomery, Alabama
Johnny Banks
Second Coming of Christ
1985
Crayon, felt-tip pen, ballpoint pen, pencil on heavy card stock
28 x 44 1/16
Courtesy Regenia Perry
Richmond, Virginia
Michael Banks
Dark Angel
2001
Acrylic on found silkscreen frame
24 x 20 x 1 1/2
Courtesy Marcia Weber Art Objects, Inc.
Montgomery, Alabama
Daniel Belardinelli
Serpent, Preacher and Persuasion
1999
Mixed media on wood
48 9/16 x 32 9/16
Courtesy the artist
Georgia Blizzard
Beyond the Sun
1996
Acrylic on watercolor paper
17 9/16 x 14 11/16
Courtesy American Pie Gallery
Wilmington, North Carolina
Boris Borges
Evil Fires Bombs of Hate, Death is Falling from the Sky
2001
Oil on heavy paper
20 1/8 x 26
Private collection
Rudolph Valentino Bostic
Heavenly Angel
1993
Enamel on corrugated cardboard
21 5/8 x 17 x 9/16
Courtesy Ginger Young Gallery
Chapel Hill, North Carolina
Rudolph Valentino Bostic
Fighting Angels
C. 1997
Enamel on corrugated cardboard
26 3/8 x 25 7/8 x 3/8
Courtesy Ginger Young Gallery
Chapel Hill, North Carolina
Eddie Breen
Hell City
1999
Oil and acrylic on canvas
21 1/2 x 27 1/2
Courtesy Andrew and Patricia Claydon, Flying Bomb Records
Ypsilanti, Michigan
Eddie Breen
Wooden Head Lamp
2000
Mixed media
26 1/2 x 14 x 14
Courtesy Blake Miller
Houston, Texas
Rutherford "Tubby" Brown
Devil's Car
1999
Mixed media
10 1/4 x 28 3/4 x 4 3/4
Courtesy Jeanine Taylor Folk Art Gallery
Winter Park, Florida
Rutherford "Tubby" Brown
Devil's Hot Tub
1999
Tin and painted wood
13 x 9 x 9
Courtesy Jeanine Taylor Folk Art Gallery
Winter Park, Florida
Frank Bruno
The Man, From Hell
1997
Acrylic on masonite and plywood
53 1/2 x 50 1/8 x 2 3/4
Courtesy the artist
Linda Bruton
Untitled
2001
Felt-tip pen and acrylic on paper
28 x 22
Private collection
Ronald Cooper
Hell Was Cool You Know
1995
Gas heater, wood, paint
36 1/4 x 13 1/8 x 13 1/8 (closed); 30 1/2 x 13 1/8 x 29 1/4 (opened)
Courtesy America Oh, Yes! Gallery
Hilton Head Island, South Carolina
Ronald Cooper
Inside Hell
1990
Acrylic on metal gas stove
31 x 12 3/4 x 12 3/4 (closed); 25 x 12 3/4 x 27 3/4 (opened)
Courtesy Jim and Linda Alexander, and Barbara Archer Gallery
Atlanta, Georgia
Ronald and Jesse Cooper
Hell It Is Heaven
1999
Leather, wood, paint
Man's shoe: 7 x 12 x 4 1/4; woman's shoe: 6 7/8 x 9 x 5 3/8
Courtesy the artists
Brian Dowdall
two headed goddess and fire spirits
1999
Tempera on corrugated cardboard
47 7/16 x 35 7/16
Courtesy the artist
Tom Duimstra, aka tom d.
Fall of the Seducers
2001
Acrylic on pressed wood
24 x 15 x 1
Courtesy the artist
Minnie Evans
Untitled
1980
Crayon and pencil on illustration board
14 15/16 x 19 15/16
Courtesy Regenia Perry
Richmond, Virginia
Howard Finster
The Devil's Vice
1990
Paint on plywood
17 3/16 x 15 7/8 x 1/4
Courtesy Candice Russell
Plantation, Florida
Howard Finster
Earth Planet
1985
Paint on masonite
16 x 12
Courtesy Candice Russell
Plantation, Florida
Michael Finster
Lake of Hellfire on Brimstone
1991
Acrylic on wood
15 1/16 x 22 1/16 x 7/8
Courtesy Candice Russell
Plantation, Florida
Paul Gasoi
The Incipient Schismatics
1998
Acrylic and crayon on canvas and paper
62 3/4 x 48 x 1 1/2
Courtesy the artist and Katharine Daves
Anne Marie Grgich
Chimera Spirits
2001
Mixed media on globe
16 x 12 x 14
Courtesy the artist
Anne Marie Grgich
Apparition
1997
Mixed media on canvas
36 x 36
Courtesy the artist
Alyne Harris
Devil with Angels Flying Around His Teeth
2001
Acrylic on canvas
30 x 30
Collection Mennello Museum of American Folk Art
Orlando, Florida
Clementine Hunter
Angels on High
No date
Acrylic on canvas
9 3/4 x 13 3/4
Courtesy Candice Russell
Plantation, Florida
Billy Ray Hussey
Indecision Jug
1990
Stoneware
9 x 8 x 8 1/4
Collection McKissick Museum
University of South Carolina
Tobey Ivey
Guardian Angel
2000
Acrylic on poster board
18 x 24
Courtesy Barbara Archer Gallery
Atlanta, Georgia
James Harold Jennings
Metempsychosis/Aeon
1988
Wood, enamel paint, plastic
47 1/2 x 21 x 1 3/4
Courtesy Robert Cargo Folk Art Gallery
Tuscaloosa, Alabama
Erma Lewis, Jr., aka Jr. Lewis
Devil Head
1992
Carved and painted wood
26 3/8 x 11 x 4 3/4
Courtesy Professor Inge G. Balch
Baldwin City, Kansas
Woodie Long
The Angels Heard the Music
1996
Acrylic on paper
17 7/8 x 23 3/4
Courtesy Marcia Weber Art Objects, Inc.
Montgomery, Alabama
Annie Lucas
Angels Holding Back the Four Corners of Heaven
1993
Thread and acrylic on cloth
21 1/4 x 25 3/8
Courtesy Marcia Weber Art Objects, Inc.
Montgomery, Alabama
Carl McKenzie
Devil
C. 1991
Oil on canvas and wood
17 3/8 x 4 3/4 x 3 3/8
Courtesy Robert Cargo Folk Art Gallery
Tuscaloosa, Alabama
R.A. Miller
Devil
C. 1980s
Painted wood and tin
51 x 20 x 1 1/8
Courtesy Jeanine Taylor Folk Art Gallery
Winter Park, Florida
Roy Minshew
Angel Dog
2000
Wood, copper, paint
70 x 59 x 25
Courtesy Marcia Weber Art Objects, Inc.
Montgomery, Alabama
Kathy Ruth Neal
Devil with Blue Dress
2000
Acrylic on carved basswood
11 1/2 x 17 x 7
Courtesy the artist
Kathy Ruth Neal
The Slippery Slope
1999
Carved basswood, metal, newsprint, acrylic
7 3/4 x 20 x 5 1/2
Courtesy the artist
Georginna Orr
The Millennium (Rev. 22:15 1-5 & Isa. 11:69)
2001
Acrylic on canvas
22 1/4 x 28 3/8
Courtesy the artist
Benjamin Franklin Perkins
Ten Commandments for Successful Daily Living
C. 1990
Acrylic on canvas
40 1/2 x 34 1/2
Courtesy Marcia Weber Art Objects, Inc.
Montgomery, Alabama
Frank Pickle
Tree of Horrow
1990
Sculpture: Beaver-cut wood, honeysuckle vine, acrylic paint
41 3/8 x 15 3/4 x 11 1/4
Courtesy Ted and Ann Oliver
Marietta, Georgia
Mary Proctor
Heavenly Choir in Gold
2000
Painted wooden door: mixed media
36 x 79
Collection Mennello Museum of American Folk Art
Orlando, Florida
Roger Rice
War in Heaven
1999
Colored pencil on paper
13 7/8 x 10 7/8
Courtesy Robert Cargo Folk Art Gallery
Tuscaloosa, Alabama
O.L. Samuels
Devil Dog
2000
Paint on wood
24 3/8 x 13 1/2 x 25 3/4, with 48-inch chain leash
Courtesy Jeanine Taylor Folk Art Gallery
Winter Park, Florida
Jack Savitsky
On the Road to Hell
1986
Colored pencil on paper
9 1/8 x 12 1/16
Courtesy Pat Parsons
Burlington, Vermont
Lorenzo Scott
Devil Family at the Art Gallery
1989
Oil on canvas
20 1/8 x 24
Courtesy America Oh, Yes! Gallery
Hilton Head Island, South Carolina
Lorenzo Scott
Guardian Angel
1991
Oil on canvas, wood
58 x 31 3/8 x 2
Courtesy America Oh, Yes! Gallery
Hilton Head Island, South Carolina
Matt Sesow
Bunny Collector
2001
Oil on canvas
36 1/8 x 48 x 1 1/2
Courtesy the artist
Matt Sesow
Hellbound III
2001
Oil on heavy-duty watercolor board
40 x 30 x 1/8
Courtesy the artist
Cherry ShaElaRe'El
The Reaper
1996
Mixed media on panel
23 3/8 x 29 1/2
Courtesy Webb Gallery
Waxahachie, Texas
Xmeah ShaElaRe'El
These Three Kings: Satan, Death & Hell! All for One!
1999
Mixed media on wood
23 1/4 x 32 5/8
Courtesy Webb Gallery
Waxahachie, Texas
Wanda Teel
I'll Fly Away Some Day
1999
Acrylic on canvas board
15 3/4 x 19 7/8
Courtesy Marcia Weber Art Objects, Inc.
Montgomery, Alabama
William Thomas Thompson
The Sea Beast of Revelation
2001
Acrylic on canvas
47 7/8 x 35 15/16 x 1 1/2
Courtesy the artist
William Thomas Thompson
666 Mark of the Beast
1997
Acrylic on canvas
40 x 40 x 11/16
Courtesy the artist
Annie Tolliver
My Precious Mother Going to Heaven
1991
Acrylic on plywood
24 x 24 x 3/8
Courtesy Marcia Weber Art Objects, Inc.
Montgomery, Alabama
Mose Tolliver
Self-Portrait
1988
House paint on panel
24 1/16 x 17 1/2 x 3/16
Courtesy Marcia Weber Art Objects, Inc.
Montgomery, Alabama
Annie Wellborn
Angel Trio
1999
Acrylic on paper
9 3/8 x 7 5/16
Courtesy America Oh, Yes! Gallery
Hilton Head Island, South Carolina
Yvonne Wells
The Whole Armor of God, II
1996
Quilt: cotton and cotton blends
99 1/4 x 76 1/4
Courtesy Robert Cargo Folk Art Gallery, Tuscaloosa, Alabama and the artist
Myrtice West
White Throne Judgment
C. 1983
Oil on wood
27 1/4 x 39 1/4
Courtesy Rollin and Tamara Riggs
Memphis, Tennessee
Ruby C. Williams
Let Us Have Your Attention Now, Baby
1999
Acrylic on plywood
24 1/8 x 48 1/8 x 1 1/8
Courtesy Jeanine Taylor Folk Art Gallery
Winter Park, Florida
Allen Wilson
Angel Cross Shrine
1991
Wood, concrete, glass
28 1/2 x 15 x 4 1/8
Courtesy America Oh, Yes! Gallery
Hilton Head Island, South Carolina
Jane "in Vain" Winkelman
Self Portrait with Death
2001
Acrylic on paper
40 x 30
Courtesy the artist
Jane "in Vain" Winkelman
The Next Big I.P.O./Mass Extinction
2000
Acrylic on paper
39 7/8 x 29 3/8
Courtesy Judy Hoffman
Atlantis, Florida
Purvis Young
Angels n' Locks
1973-74
House paint on plywood
42 6/16 x 22 1/4 x 1/4
Courtesy Skot Foreman Fine Art, Ltd.
Dania Beach, Florida
Revelations and Reflections of American Self-Taught Artists
[Cover image: Ruby C. Williams painting lettered] LET US HAVE YOUR ATTENTION NOW, BABY [signed RCW]
An exhibition organized by Media Gallery, Garnett, Kansas, and toured by ExhibitsUSA
[Facing panel: Checklist, page 1 - see p194]